Gimbals for each of our cameras whether Sony, Blackmagic or Z-Cam provide breathtaking shots. Aerial shots are taken with the MAVIC 3 Cine and other drones. O'Connor and Sachtler tripods provide smooth pans.
Our flexible and waterproof LED panels from Fomex and various effect lights create the right mood for the scene.
And of course we have follow focus, monitors, microphones, storage
and everything else needed.
Up to 5 systems can be used and networked simultaneously with Davinci Resolve Studio remote and cloud productions are also possible without compromise.
In color correction we work with Davici Resolve Studio or Grass Vallley Quantel Rio. All suites meet EBU ARD/ZDF and Netflix standards. In color correction we monitor with calibrated 4K OLED's. This way we achieve the best results accurately working in the latest HDR standard and of course in the project dependent color spaces.
We transform production halls or offices into a broadcast studio. Or, as at Alstom, we also stream from a moving train, in this case even a world record.
Up to 8 cameras, 4 of them wireless, and mixers with up to 16 channels are on board. An editing suite on site and also classic satellite transmissions are possible. Stable transmission, professional image work and creative implementation guarantee results on best television level.
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